THE PHILADELPHIA STORY

Screened in 2002 (Sunday, September 1st 2002 at Creek Park in San Anselmo)

 

 

1940     112 min
George Cukor directed this classic comedy talkfest that offers special pleasures for fans of Katharine Hepburn, James Stewart, and Cary Grant. With such a stellar cast, a fine director working in the type of picture he did best, and some genuinely witty dialogue, this film has all the ingredients for a great comedy. And it is great, though there have been many funnier comedies. The film has an unfortunate tendency to take itself too seriously for long stretches. Mike's shameless adoration of Tracy and the cloying speeches he's forced to deliver in her praise try our credulity and patience. A very strong case is being made here for the sheer irresistibility of the film's female star. The film also strenuously drives home the point that people born poor aren't necessarily noble while men born rich aren't necessarily cads. No need to stop the presses for this little news bulletin!

This was a project especially dear to Hepburn. Two years prior to the release of THE PHILADELPHIA STORY, Hepburn had been branded "box-office poison" by a leading exhibitor, thus prompting her to look for a Broadway show suitable for her talents. Playwright Barry wrote the role of Tracy expressly for Hepburn, who covered 25 percent of the play's cost and took no salary, shrewdly opting to take 45 percent of the considerable profits. Joseph Cotten played the Cary Grant role while Van Heflin originated Stewart's part. The cagy actress also purchased the film adaptation rights and eventually succeeded in getting Louis B. Mayer not only to pay her $250,000 for them but also won the right to select her own director, screenwriter, and costars. Grant accepted his role only on the proviso that he receive top billing, which he did. He then demanded a then-whopping salary of $137,000 and got it. (Grant later donated his entire salary from the film to the British War Relief Fun.)

The film became a box-office smash. It broke all records at Radio City Music Hall with a return of almost $600,000 in six weeks. Hepburn, who won the coveted New York Film Critics Award, lost the Oscar to Ginger Rogers for her role in KITTY FOYLE. The film was poorly remade as a musical, HIGH SOCIETY, in 1956, starring Bing Crosby, Frank Sinatra, and Grace Kelly.

 

 

 

 

 

 

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